Get “That” Guitar Tone: Foo Fighters Edition
A guitar player doesn’t have to be a storied virtuoso to deliver a great tone that countless musicians and fans seek to emulate—or to simply keep in their ears as an extremely useful reference point...
View ArticleNew to SonicScoop? Start Here.
Just picked up a discount card from AES? Just stumbled onto us through a web search or one of our giveaways? Here’s a good way to get acquainted with what we do at SonicScoop: See what stories others...
View ArticleAES 2015: Top Picks & Pics from the Showroom Floor
This was a memorable weekend to be in New York City. The Mets were embroiled in the World Series, the NYC Marathon powered through all five boroughs, and Halloween fell on a Saturday night, capped by...
View ArticleAES 2015 Photo Journal: Panels & Parties
Yesterday, we shared our massive photo review of the best and most innovative new gear of the 2015 AES convention. Today, we’d like to share a few pics from some of the coolest panels and hottest...
View ArticleMOTU Introduces MicroBook IIc Ultra Compact Audio Interface
The USB 2.0 interface from MOTU expands on the success of its original MicroBook interface. The major addition to the new MicroBook IIc is the USB audio class compliance allowing compatibility with...
View ArticleUniversal Audio Launches 4 New Plugins – Eventide H910 Harmonizer, Marshall...
No matter what kind of music you produce, Universal Audio’s launch of UAD Software v8.4 and the four accompanying new plugins for UAD-2 DSP Accelerators and Apollo have got you covered. Should you...
View ArticleGear Review: Sonarworks Reference 3 Room & Speaker Correction Suite
Sonarworks’ Reference 3 Suite. One of the biggest challenges that professional audio engineers have to deal with today is the actual work environment. Newly-available technology and shrinking budgets...
View ArticleAntelope Introduces Four New Products at AES 139 in NYC
Antelope rolled out a trifecta of new hardware products for us at last week’s AES 139: the 10MX Atomic Clock, Orion 32+, Orion Studio, plus a new software reverb, AuraVerb. Orion 32+ The Orion 32+ The...
View ArticleComposer Cribs: Charlie Clouser, Los Angeles, CA
Some composers live a career behind the scenes – Charlie Clouser is not one of them. While he currently spends his days and nights creating high-visibility soundtracks (the entire Saw series, Resident...
View ArticleQwire Music-to-Picture Cloud Platform Raises $2.5 Million; Licensed by ABC...
Qwire is a platform for professionals involved with putting audio to motion picture. Launched in 2014, NYC- and LA-based Qwire has seen fast growth, recently raising $2.5 million in its initial funding...
View ArticleRode NTR Active Ribbon Microphone Review
The Røde NTR Ribbon Microphone. At one of my earliest recording sessions, I tried to describe a sound I was going for: ”Dark, but not muddy; mid-heavy but not crowded, and with enough high end to peak...
View ArticleUp & Coming Engineers: Josh Gannet on Assisting, Tracking, and Being Prepared.
Josh Gannet is an audio engineer and producer who has racked up a ton of major credits as an assistant engineer, working in the studio with artists including Redman, Keith Richards, Slash, Steve...
View ArticleSession Buzz: Who’s Recording In & Around NYC — A Monthly Report
Snapshot captures sessions with Edie Brickell/Steve Gadd, Matthew Dear, Passion Pit, The Big Sleep, The Roots, and more! The post Session Buzz: Who’s Recording In & Around NYC — A Monthly Report...
View ArticleSession Buzz: Who’s Recording In & Around NYC — A Monthly Report
Across the river, at Big Blue Meenie in Jersey City – “indie rock manifestation” Suit of Lights tracked and mixed the follow-up to their last studio record, Bacteria, with producer Joe Darone (The...
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